Marlies Fischer-Zillinger, a physiotherapist and Claudia Weissauer, a riding instructor, have come together in order to combine their knowledge. The concept of The Body Language of the Rider is to help riders influence their horses better by sitting correctly and effectively.
If in sitting trot the rider is permanently in contact with the saddle, in rising trot the rider only has a small window of time in which to use the weight aids. Therefore, this brief moment must be used effectively as possible and can only happen with a smooth movement at the right moment.
It is common to see an exaggerated rising and sitting trot, using lots of strength with unsteady lower legs and hands. This all leads to a horse that is tense and cannot stay in a rhythm. Only a balanced rider can go with the horse with quiet, following hands and it is only then that a horse can develop movement to the best of his ability.
To be able to follow the movement properly in sitting trot the rider must allow their hips to follow this movement, moving left and right as well as forwards and backwards. Exercises in the saddle and on the wooden horse can make the rider more aware of how the horse moves and allow themselves to go with this movement.
Further videos in this series:
The Body Language of the Rider Part 1: Improving the riding seat
The Body Language of the Rider Part 2: Improving the riding seat with a long, relaxed leg and an upright upper body
The Body Language of the Rider part 4: The correct seat while riding turns
The Body Language of the Rider Part 5: Riding with symmetrical weight aids
You will learn in this video:
The physiotherapist Marlies Fischer-Zillinger, together with Claudia Weissauer, have developed the concept Body Language of the Rider and promote this through their seat improvement courses.> more
Soma Bay finds herself on the way to elementary level. The winter work provides an opportunity to calmly introduce the mare to the necessary exercises. In this video Ingrid Klimke is focusing on the canter work, with counter canter on large lines. A break in an active walk is used to teach Soma Bay the turn on the haunches.
Duration: 26:37 Minutes
The desire of the horse to go forward, combined with bending the hindquarters is the basis of a good piaffe. Philippe Karl uses various exercises to teach his horses the piaffe and bring them into perfect balance. Every horse can learn to passage correctly when one sensitively combines the Spanish walk with the trot, something the world-renowned trainer has seen continually happen over the years.
Duration: 21:17 Minutes
"Degni" is an Akhal Teke with a one-year racing experience in Russia. His new home is Gut Rosenhof in the Allgäu, where he is trained by Anja Beran according to the classical dressage training principles. Look at his reconversion and development and learn the basics principles of classical dressage training for your riding.
Duration: 10:04 Minutes
High Noon has visibly improved. Philippe Karl starts riding the gelding with a double bridle and demonstrates the initial approach to the collecting work of the horse. Not only have the lateral movements and acceptance of the bit improved but High Noon also does his first flying change.
Duration: 16:35 Minutes
Correct riding, as well as riding transitions, entails riding from “the back end to the front” (as one says). Reinhart Koblitz shows in this video exactly what that means and most importantly, how this applies to half- and entire halts.
Duration: 19:09 Minutes