“My hands are quieter” The third part of the video “Riding with Franklin Balls” shows us how the air-filled franklin Balls are placed under the armpits.
Physical Education expert Eckart Meyners and riding instructor Sibylle Wiemer explain the use of the soft Franklin Balls with three riders. The 7 cm and 10 cm diameter Franklin Balls are placed under each arm as high as possible. The riders then work their horse in all three paces. The balls are then removed and the riders describe the before and after feeling.
The Franklin Balls stimulate the fascia (or connective tissue) and muscles in the shoulder area are stimulated and changes the feeling of the arms as well as posture. This in turn changes the way the reins are used, the elevation of the upper body and head as well as a positive effect on the breathing of the riders. Because the shoulder area and the legs work in a corresponding manner the Franklin Balls also influence the leg aids. The horses travel forward more willingly and with suppleness.
You will learn in this video:
Eckart Meyners has lectured as Senior Professor in Physical Education for 38 years at the University of Lüneburg and has been involved in the subject of movement theory for riders for decades. He educates riders, trainers and judges for the FN (German Equestrian Federation) as well as running worldwide courses.> more
Correct riding, as well as riding transitions, entails riding from “the back end to the front” (as one says). Reinhart Koblitz shows in this video exactly what that means and most importantly, how this applies to half- and entire halts.
Duration: 00:19:09 Minutes
Working in long reins is a fascinating possibility to school your horse in all the movements without the weight of a rider on his back. With the necessary preparation work in hand, teaching the horse these long reining exercises should be easily achieved. Once the first step forwards and the first turn have been achieved a serpentine through the entire arena is not far off.
Duration: 00:26:09 Minutes
Lateral movements are of great importance when it comes to gymnasticizing the horse. Shoulder-in, travers, renvers and counter shoulder-in, as well as fluidly transitioning from one to another result in a chance to play with the balance of the horse. Well executed, those movements lead to an increase in flexibility, suppleness and a prompt reaction to the aids of the rider.
Duration: 00:10:44 Minutes
Once the basics of rhythm and suppleness have been established it is time to work on contact, as the next phase of the training. A steady contact should consist of a soft connection between the hands of the rider and the mouth of the horse. Pulling the head is never the solution. The movement should come from behind resulting in a horse that comes through the body to the bit and hands.
Duration: 00:16:26 Minutes
Once the horse has been familiarised to the effects of the double bridle on the ground, Philippe Karl then continues this from the saddle. He rides using the Fillis hold, enabling the use of the two bits separately.
Duration: 00:09:16 Minutes